Moon Over Soho

The Second Rivers of London novel

Moon Over Soho

I was my dad's vinyl-wallah: I changed his records while he lounged around drinking tea, and that's how I know my Argo from my Tempo. And it's why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording. Cyrus Wilkinson, part-time jazz saxophonist and full-time accountant, had apparently dropped dead of a heart attack just after finishing a gig in a Soho jazz club. He wasn't the first. No one was going to let me exhume corpses to see if they were playing my tune, so it was back to old-fashioned legwork, starting in Soho, the heart of the scene. I didn't trust the lovely Simone, Cyrus' ex-lover, professional jazz kitten and as inviting as a Rubens' portrait, but I needed her help: there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives. And as I hunted them, my investigation got tangled up in another story: a brilliant trumpet player, Richard 'Lord' Grant - my father - who managed to destroy his own career, twice. That's the thing about policing: most of the time you're doing it to maintain public order. Occasionally you're doing it for justice. And maybe once in a career, you're doing it for revenge.

Introducing Rivers of London

Rivers of London, Moon Over Soho and Whispers Under Ground

Introducing Rivers of London

This bumper boxset from the Sunday Times Number One bestselling author contains the first three novels in the two-million-copy selling series! My name is Peter Grant, and until January I was just an ordinary policeman in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). Then my life took a turn for the strange, and now I'm a Detective Constable and trainee wizard, the first apprentice in fifty years. My world has become somewhat more complicated, and it's safe to say the problems London's streets throw at me are now much more difficult to respond to. But there's someone out there causing trouble, using all manner of magic to do it, and they're putting ordinary Londoners at risk. It's fallen to me to bring order out of the chaos - or die trying. Like I said, life is stranger now. But I'm a police officer at heart, London is my city, and I've got a job to do. 'Funny and wildly inventive' Mail on Sunday 'A charming, witty and exciting romp through a magical world' Independent 'Witty, well plotted, vividly written and addictively readable' The Times This eBook boxset contains the first three novels in the bestselling Rivers of London series. Full of warmth, humour, and mysteries that will keep you guessing, this is your perfect introduction to a whole new side of England's capital.

PC GRANT NOVELS

Rivers of London, Moon Over Soho, Whispers Under Ground

PC GRANT NOVELS


Kurt Weill: The Threepenny Opera

Kurt Weill: The Threepenny Opera

This is a book on the best known of the Weill-Brecht collaborations which explores the extent and significance of the composer's contribution. After a detailed reconstruction of the work's genesis and continued revision over three decades, Stephen Hinton examines the spin-offs on which Weill and Brecht participated: the instrumental suite, the film, the lawsuit, the novel, and the musical and textual revisions of songs. In a survey of the stage history, Hinton pays particular attention to pioneering productions in Germany and Great Britain. Kim Kowalke provides an exhaustive account of the history of The Threepenny Opera in America, Geoffrey Abbott addresses questions concerning authentic performance practice, and David Drew analyses large-scale motivic relationships in the music. Among the earliest writings on the work reprinted here, those by Theodor W. Adorno, Ernst Bloch and Walter Benjamin appear for the first time in English translation. The book contains numerous illustrations, a discography, and music examples.

Brecht Collected Plays: 2

Man Equals Man; Elephant Calf; Threepenny Opera; Mahagonny; Seven Deadly Sins

Brecht Collected Plays: 2

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language. This second volume of Brecht's Collected Plays brings together some of his most glittering Berlin successes including The Threepenny Opera, The Rise and Fall of the City of Mahagonny, The Seven Deadly Sins, Man Equals Man and The Elephant Calf. The Threepenny Opera is the story of the mercurial beggar turned entrepeneur Peachum and his battles with the criminal Mac 'the Knife'; Mahagonny, an operatic satire on the search for an American capitalist utopia; The Seven Deadly Sins is a ballet with songs that predicts the downfall of the petty bourgeosie and was first performed as the Nazis planned their book burning exercise. Man equals Man is an exploration of the theory of equality and The Elephant Calf is a play within a play based on an Indian folk story. The translators include W H Auden and Chester Kallman, Ralph Manheim, Gerhard Nellhaus and John Willett. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

Punch

Punch


BRECHT JAHRBUCH / THE BRECHT YEARBOOK, VOLU, DAS

GESTUS-MUSIK-TEXT ; GESTUS-MUSIC-TEXT

BRECHT JAHRBUCH / THE BRECHT YEARBOOK, VOLU, DAS

The Brecht Yearbook is the central scholarly forum for discussion about German playwright Bertolt Brecht and his career, exploring aspects of theater and literature that were of particular interest to Brecht, especially the politics of literature and of theater in a global context. Volume 33, Gestus–Music–Text / Gestus–Musik–Text, includes essays on Ruth Berlau, one of Brecht’s collaborators, on the relation of text and music, and on the concept of Gestus in Brecht’s work on theater. Contributors include Robert Cohen, Fritz Hennenberg, Antony Tatlow, Florian Becker, Julie Allen, Darko Suvin, and Sabine Kebir, among others.